The TBA21 Academy is dedicated to projects that facilitate artists’ research of the oceans. TBA21 director Markus Reymann visits the studio to discuss this itinerant site of cultural production and trans-disciplinary research and questions put to him by host Fari Bradley such as “Who owns the seas?”. Conceived in 2011 as a moving platform on … Continue reading
Exercises in Displacement Cultural and artistic displacement investigated via five evenings of performances of original work across London. The most recent iteration, 3/5, is at the South London Gallery, Peckham by Tuttoquestosentire. Visual artist Rebecca Salvadori, and composer/ cellist Sandro Mussida visit the studio to discuss the series and the TQS collective, and we sample … Continue reading
As part of the Mayfair Art Weekend (28 June – 30 June 2019) artist Shubha Taparia presents a collection of photographs Spirit in the Inanimate looking at ephemerality. The series explores new details and elements from Taparia’s new large-scale installation made with construction materials Silhouette of an Unknown Landscape in her London studio. At Prahlad … Continue reading
Mongolia in Venice – “A Temporality” is a sound installation and performance with Carsten Nicolai as ‘Alva Noto’ brings 4 members of the Mongolian National Choir and their throat singing to Venice’s by-alleys. We hear from the indomitable curator Gantuya Badamgarav, who has thrice brought Mongolia to Venice against all odds and the artist Jantsa … Continue reading
Fari Bradley focuses on choice contemporary Middle Eastern, North African and South Asian sound, art and culture. This week: audio from The 54th Venice Biennial opening. UK’s Block Universe present an Italian brass band playing the anthems of every country excluded from the main Giardini pavilions. By boat and on foot, the band intervene in … Continue reading
A bespoke show from Iran, 23 year old talent Noisetrappy takes over with 30 minutes of Tehran Trap. This show was produced entirely over Instagram between Six Pillars producer Fari Bradley and Noisetrappy. Recorded in Tehran, where Noisetrappy (aka Amir) collaborates with other musicians his age to create a specific danceable sound between trap and … Continue reading
Sounds from Iran and the wider Gulf: when Iran seems increasingly cut off, and with attitudes to music in general in the Middle East making a career in experimental music even harder than usual, what digital messages are being sent by budding audio producers to the web for us to hear? Building on an article … Continue reading
To launch a new season of Six Pillars we mark the current London Design Biennial running until 23rd September at Somerset House, with 40 countries, cities and territories exhibiting under the theme Emotional States. Dance, hashtags, sound art, new technology and desert sand are among the mediums used to explore emotion in the usually more … Continue reading
This week: British Iranian artist Lilian Nejatpour discusses her piece, Choreophobia. Nejatpour’s practice questions technological invasiveness and sentimentality. Choreophobia examines the intervening occurrence of colonialism and Western thought on Middle Eastern dance, with its interference on the censoring and transformation of gender and sensuality in male bodies. Choreophobia is at Chisenhale Studios in August as … Continue reading
Hong Kong Mixtape is a new, open call project in Hong Kong for field recordings and compositions put out by CMHK (Contemporary Musiking Hong Kong) as part of their Sonic Transmission Exchange programme. Curated by the CMHK team, the final selections make it to the Hong Kong Mixtape , which involves local composers’ and … Continue reading
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